The ASIA Symposium this weekend

 

I have just completed putting together my presentation which includes over 200 photographs and guitar building sequences for my class this Saturday morning at The ASIA Symposium, (The Association of Stringed Instrument Artisans).

The Symposium will commence on Wednesday at The Stroudsberg University in East Stroudsberg, PA, and runs through Sunday with classes Thursday through Saturday.
There will be over 35 builders sharing their knowledge, skills and talents with the attendees plus lectures and informational discussions. I am thrilled to be included as a presenter. There will also be vendors selling woods and materials.

My presentation on Saturday Morning titled “The Basics and Beyond” will highlight many topics on building and show several processes using hand tools and small power tools.

You can still register for this event by going to http://asiartisans.org. Anyone who either has a desire to build or learn repair will benefit from this event.

 

The ASIA Symposiumt and organization are open to the public to join and to attend. The symposium will cover topics on guitar and stringed instrument building, maintenance, repair, inlay, marquetry, finishing, restoration and creation of acoustic instruments. My presentation will be on the basic tools and forms needed to build acoustic guitars and what they do, Saturday Morning, 6/10 from 9:00 to 10:30AM

A host of great presenters and some of the masters or lutherie  will be there sharing their knoweledge including; Linda Manzer (Linda Manzer Guitars), John Monteleone (Monteleone Guitars), Dan Erliwine (Stu-Mac), John Hall (Blues Creek), David Nichols (Custom Pearl Inlay), Michael Gurian (Gurian Guitars), Chris Herrod, (Luthiers Mercantile), Matt Laravee and More.  A full schedule of classes and presenters can be found on their website  http://asiartisans.org/content/.

Thanks for reading

Jay

The Artisan Guitar Show, looking back.

About two weeks ago I had the pleasure to exhibit at The Artisan Guitar Show. This was put on by John Detrick, promoter. It was held in Harrisburg, Pennsylvania.

The show attracted a great gathering of guitars makers and luthiers in many areas of instrument making including acoustics, arch-tops, basses, lap steels, electrics, and included amp makers, vintage guitar resellers and accessory manufacturers.

Instrument exhibitors included Linda Manzer, John Monteleone, Woody Pfiffer, Roger Sadowski, Ervin Somogyi, Lee Garrett, Benoit Levoie, Ken Parker, Peggy White, Michele Pellirin, John Slobod, Brian Galloup, myself, and many many more. The weekend also included discussions and lectures, workshops and concerts.

For me it was an excellent experience. It is a place where I could see the work of these great builders that I so admire and also learn and share ideas with them, when possible and between talking with the attendees who stopped by my booth. It was a pleasure to meet and see all of you there.

For a first show of this type in the Harrisburg area the attendance was pretty good. I met people from Philadelphia, Western Pennsylvania, Ohio, New Jersey and Maryland, also many locals who attended.

I look forward to doing it again next year. Thanks John for putting this together for all of us.

An now some of the photo memories.

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Jay Rosenblatt Guitars at the Artisan Guitar show
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Claud Laflamme, harp guitarist gave me a private performance on my Kasha Classical. So good!
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Garrett Lee classical guitar maker checking out a my romantic-era, 7 string baroque guitar
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Frank Sole working out on a Jay Rosenblatt Cutaway at the Artisan Guitar show
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A moment with Roger Sadowski at the Artisan Guitar show. Such a nice guy!
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Benoit Levoie showing his unique designs
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Laurent Blondel Guitar Maker.
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Linda Manzer Guitars .
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Sadowski Basses, electrics and Archtops.
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“Take A Stand” exhibiting at the Artisan Guitar Show
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Beautiful Archtops at the Artisan Guitar show
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Classic Fenders and Gibsons at the Artisan Guitar show
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The whimsical work of Ervin Somogyi
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Woody Pfiffer with Ervin Somogyi

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John Slobod checking out a Lame Horse guitar at the Artisan Guitar show
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Master Archtop Maker John Monteleone

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The Sign in Board of luthiers and builders. This was raffled off to one of the VIP attendees to the show

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The future: In June I will be a speaker at the A.S.I.A. Symposium. The Association of Stringed Instrument Artisans. The A.S.I.A symposium is a bi-yearly gathering of guitar and instrument makers. A place where  builders can learn techniques for instrument making. It is a wonderful gathering of great builders sharing their knoweledge. It will be held at The Stroudsburg University in East Stroudsburg, PA, June 7 thru 9th.

My presentation will be called “Basics an beyond”.  It will be a photographic presentation on the basic small shop tools that i use to build guitars, the things you will need and the things you can make, forms, jigs, etc, for the beginning builder . Along with that I will show images of  my go to tools and various builds including;  A basic x-braced guitar, a Weissenborn Lap Steel, the romantic I just built, and the Kasha classical. All geared the new builder to get inspired and try different things.

You can get the full schedule here.  http://asiartisans.org/content/education/symposium-2017/220-symposium-2017-now.html

In about three weeks I will be exhibiting my guitars in La Conner, Washington at the La Conner Guitar Festival, May 12th., thru 14th., This will be my last showing for a while.

See you there or check back later for an update on those events.

 

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Thanks for reading. Jay..

Rosenblatt Guitars at The Artisan Guitar Show.

This weekend is the Artisan Guitar Show in Harrisburg, Pennsylvania, at the Central Hotel and Conference Center.

This will be a gathering of luthiers, guitar and instrument builders, musicians, lecturers, pickers and players. The best of the best will be there exhibiting their instruments.

I am pleased to have been invited to exhibit at this event.

At the top of this page you will find some links to some of the instruments I will be showing this weekend.  I will have other instruments not featured on this page. Click on the links above to read more detail about the guitars featured this weekend.

In May, 12, 13 & 14,, The LaConner Guitar Festival will take place in La Conner, Washington. I am looking forward to that as well and will be exhibiting there.

Thanks for reading.

Please scroll to may past posts to see more work and read more about the my instruments. I hope you can make the show. If you do please stop by my table. Thanks!!

 

 

Jay Rosenblatt Guitars. Hand-built acoustic guitars for sale

Hello,  This page highlights hand built instruments that are currently available for sale.

These are new instruments. For a more detailed description scroll to following page. If you are interested in purchasing one of these fine guitars please contact me at 973-445-0015.

Email;  jayrose2@earthlink.net.

Prices quoted upon request.

Thank you,

Jay Rosenblatt

If you are interested in purchasing one of these fine guitars please contact me at 973-445-0015.

 

 

Guitars at the Woodstock Invitational Luthiers Showcase 2016

On October 21, 22, and 23, 2016, The “Woodstock Invitational Luthiers Showcase” will commence again in Woodstock, New York. The dates are October 21, 22, and 23, 2016. The event is held at The Bearsville Theater and Utopia Sounstage on Tinker Street.

This will be a three day exhibition of hand-built acoustic guitars and instruments exhibited by by their makers.

This show is always an amazing opportunity to see, hear and play some of the finest instruments on this planet. The show has exhibitors from around the globe. Daily and half hourly performances by some of the finest musicians playing these hand made instruments happen on the main stage. There are lectures workshops and demonstrations. I suggest that you make this a go-to event if you love guitars and can make the trip. Find out more at The Woodstock Invitational Website Page http://www.woodstockinvitational.com.

I am excited to be exhibiting there and am pleased to be included as an exhibitor with all the other fine builders. This year I will be in the main room rubbing shoulders and hob knobbing with other masters of this craft who’s work I admire greatly.

The instruments below have been built over the past year and will be on display;  A Kasha Classical, an experimental guitar design of mine I call “The Arches”, A 7-string Baroque transitional guitar built to the exact measurements of a the original created over 200 years ago, and my PF model in Quilted maple with a Moonwood soundboard and Mahogany neck.

I hope to see you in Woodstock. This will be an excellent to own a Jay Rosenblatt Original guitar if that is your fancy. Please stop in to say hello.

Thank you,

Jay Rosenblatt

7 string Baroque Era parlor by Jay Rosenblatt
7 string Baroque Era parlor by Jay Rosenblatt
Jay Rosenblatt Guitar PF Model in Moonwood with maple and mahogany.
Jay Rosenblatt Guitar PF Model in Moonwood with maple and mahogany.
The "Arches Experimantal" Guitar by Jay Rosenblatt
The “Arches Experimantal” Guitar by Jay Rosenblatt
Kasha Classical built by Jay Rosenblatt
Kasha Classical built by Jay Rosenblatt

PF Model in Rosewood. Jay Rosenblatt Guitars.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The sister Kasha Classical guitar project

 

img_0338In January, 2016 I bagan a project to build Two Kasha Classical “sister” Guitars. They are being built built with my friend Frank Sole, musician and student Luthier. This project was inspired by Frank. This instrument differs greatly in the bracing design of typical classical guitars and was developed by Dr. Michael Kasha in cooperation with luthier Richard Schneider. The instrument features a bracing design by Dr.Richard Kasha which is star patterned rather than ladder braced and the back braces are arched allowing the back to float independently and act more like a from that moves with the vibrations and air movement in the guitar ,rather that being fixed by rigid cross bracing. The soundboard is designed to increase the energy of the strings as they affect the soundboard and provide an increased bass response.

It began with a paper plan from Luthiers Mercantile, the construction of a Solera ( the building form) is based on a design by John Bogdonavitch, luthier. (see his book “Building the Concert Classical Guitar”) The set up on the solera allowed a 2 mm forward tilt in the neck and a ramp of 3 mm built up from the bridge location to the end of the guitar to create the proper string geometry. (now that one guitar is fully complete, that set-up worked perfectly. The strings are at the proper height and has excellent playability.

Both guitars are rosewood with rosewood sides, western red cedar tops, Spanish Cedar necks with Mahogany neck blocks.  One instrument was constructed with cedar bracing and the other spruce. (these are the only two principal differences between theses instruments.  The end port is constructed to allow access to the inside of the instrument for stringing as this guitar uses a through the soundboard string design which differs from traditional classical guitars where the strings on the bridge on the top of the soundboard.

The saddle design here is a three part configuration of American Walnut, Figured maple and bone. It has a bone nut and medium fret wire. The back “floating brace design” is constructed of maple and mahogany laminations.

Both instruments were hand finished with French polish. These instruments will be on display and for sale at the Woodstock Luthiers Invitational October 21, 22, & 23, 2016. Inquiries about pre-purchase can be discussed.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guitars by Jay Rosenblatt

 

Please inquire about purchasing one of these fine instruments

The PF Diamonte, Rosewood

This guitar is an ooo sized instrument, 15 inches at the lower bout and 11.5 at the upper. This guitar sits comfortably in the lap. The body is select Rosewood. The neck is 40 year old aged mahogany with a maple laminate. The soundboard is Lutz spruce with Lutz carved bracing. It features my geometric rosette in ebony and maple, an ebony fingerboard bound in curly maple with triangle MOP position markers and dot side markers. The head plate is Cocobolo with maple binding, the Rosenblatt name logo with Gotoh 510 timers in chrome. , The back plate is a curly maple .The nut and saddle are bone. Bound with Curly maple and a b/w/b purfling. This guitar is nice player that will age beautifully and open up nicely. A great addition to any guitar collection.   Delivered in an Ameritage custom case.

  • AAA East Indian Rosewood back and sides
  • Alaskan Sitka Spruce soundboard
  • 40 year old two piece mahogany neck with maple laminate
  • 2 way truss rod
  • Geometric rosette in Ebony with maple
  • Ebony wave design bridge
  • Kings design headstock with cocobolo head plate and gold MOP Rosenblatt name
  • Curly maple binding with B/W/B purfling
  • Inside; Lutz spruce bracing, rosewood bridge plate, Cedar kerfing
  • 25.4 scale Ebony fingerboard, 14 fret to the body, bound w/Curly maple
  • MOP triangles pattern fingerboard position markers
  • Lacquer finish exterior
  • 18% nickel fret wire,
  • Bone nut and compensated bone saddle
  • Ebony bridge pins with Abalone dots
  • Gotoh 510 Tuning Machines
  • Ameritage custom case

 

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The Venice, African Mahogany

The body size of this instrument is typical of a full sized cutaway and constructed of select African Mahogany with a Lutz spruce soundboard.The back plate is X-Braced using mahogany braces. The ebony fingerboard is bound with ebony, It has large fret wire where each fret end is pre rounded and polished before installation making it smooth and very playable. It has a warm sound and rich with beautiful overtones and a nice presence. The soundboard delivers a delicate balance of responsiveness and clarity. Delivered in an Ameritage custom case.

 

 

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The PF Geo, Rosewood with 45 year old Alaskan Sitka soundboard

The unique specialty of this guitar lies in its soundboard. Crafted from a 45 year old Salvaged Alaskan Sitka. The trees original life was was a stringer on a bridge that spanned a river in allowing access for crews to build a water generated power facility in the 1970s. In the 80’s the bridge was replaced and the log laid at the forest floor for 25 years.  When that log was salvaged only a few of the most wonderful soundboards were reclaimed… In essence the tree supported a bridge and the soundboard it produced is now doing the same.. The color of the soundboard is its natural color. This is truly a Torrified wood. Over time it has developed a beautiful natural patina, but more importantly the sound achieved from this set is one of wonderful. I cannot build another instrument exactly like this as the boards are no longer available. The rosewood back and sides are select, the ebony fingerboard inlaid with a geometric pattern in white/gold MOP with an Abalone rosette and ebony bridge. The head plate is ebony with my wave design with the JR Logo in gold MOP, complimented with Gotoh tuners . It delightful to play and delivers a superb sound.  delivered in an Ameritage custom case.

  • AAAA East Indian Rosewood back and sides
  • 45 Year old Alaskan Sitka Spruce soundboard
  • 40 year old one piece mahogany neck
  • 2 way truss rod
  • Abalone B/W/B rosette
  • Ebony wave design bridge
  • Wave design headstock with ebony head plate and abalone gold MOP logo
  • Ivoroid binding with coral rope purfling
  • Inside; Lutz spruce bracing, rosewood bridge plate, cedar kerfing
  • Ebony fingerboard, 14 fret to the body, 25.4 scale
  • MOP geometric pattern position markers
  • Lacquer finish exterior, Shellac finished interior
  • 18% nickel fret wire,
  • Bone nut and compensated bone saddle
  • Ebony bridge pins with Abalone dots
  • Gotoh 510 Tuning Machines
  • Ameritage custom case

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The Parlor, 12 fret, Quilted Maple.

My parlor model is an o sized small beauty that is a pleasure to play and hold. It’s the kind of instrument that fits perfectly onto the lap. I has a sweet sound. The soundboard is Lutz and paired with a AAAA quilted maple body. A scale length of 24.9 inches, 12 frets to the body, the spanish cedar neck is complimented by a slotted wave design headstock with schertler tuners, ebony head plate and Abalone JR logo. The fingerboard is ebony with my unique mother-of-pearl pearl domino-dot position markers and it has an ebony bridge. The rosette is my geometric design of cocobolo and ebony. The body binding is ebony. Comes with a custom Hard shell Ameritage carrying case.   This model available in rosewood or walnut as special order.

 

  • AAAA Curly Maple back and sides
  • AAA Lutz Spruce soundboard
  • Lutz spruce bracing
  • Rosewood bridge plate
  • Cedar kerfing
  • Mahogany neck and tail block
  • Spanish Cedar Neck, slotted headstock, ebony head plate
  • Ebony fingerboard, 12 fret to body, 24.9 scale length, 1-3/4″ nut
  • Cocobolo and Ebony geometric rosette
  • Ebony binding
  • Ebony wave design bridge
  • 18% nickel fret wire
  • MOP domino dot position markers
  • Abalone JR logo
  • 2 way truss rod
  • Ebony bridge pins with Abalone dots
  • Bone nut and compensated bone saddle
  • Hand toned/ Nitro Cellulose lacquer exterior
  • Shellac finished interior
  • Schertler tuning machines
  • Ameritage custom case

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Acero Grande

“Big Maple” is a grand sized guitar built on my largest form. The guitar is constructed of 4A curly maple with a lutz spruce soundboard and delivers full sound with a good bass response and a flavorful balance of tone across all the strings. Its 25.4″ Ebony fingerboard is inlaid with hand-cut maple leaves in Mother-of Pearl. This guitar has a beautiful projection and clean midrange and great bass response not tipically found on maple guitars. The neck is a 5 piece mahogany / maple laminate. Bound in ebony with an ebony fingerboard and bridge. Complimented with an ebony head plate with the JR logo and chrome tuners with ebony buttons. (builders prototype)  with Ameritage custom case. This sized instrument is available in rosewood with Sitka soundboard.

  • AAA Lutz Soundboard
  • AAAA Curly Maple Back and sides
  • Five piece laminated Mahogany and Maple hand carved neck with flat heel design
  • Chess Piece Headstock , ebony head plate with White MOP JR Logo
  • Ebony fingerboard with Maple and ebony binding and bone nut, 24.9 scale length
  • Maple leaf design, White Mother of Pearl position markers
  • Abalone side position markers
  • Ebony Binding with Chevron Binding front and back
  • Ebony heel plate
  • Ebony Bridge with Bone Saddle
  • Ebony and Maple Geometric Rosette
  • Ebony and maple tailpiece
  • Interior finish Shellac
  • Exterior finish, Lacquer
  • Ameritage case.