Jay Rosenblatt Guitars. Hand-built acoustic guitars for sale

Hello,  This page highlights hand built instruments that are currently available for sale.

These are new instruments. For a more detailed description scroll to following page. If you are interested in purchasing one of these fine guitars please contact me at 973-445-0015.

Email;  jayrose2@earthlink.net.

Prices quoted upon request.

Thank you,

Jay Rosenblatt

If you are interested in purchasing one of these fine guitars please contact me at 973-445-0015.

 

 

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News from Jay Rosenblatt Guitars workshop

Hello. welcome to the Jay Rosenblatt Guitar blog. My last post was mid-February. Now its the end of September 2015. Time flies.

Maple bound Ebony fingerboard with Ebony and Maple Geometric Rosette on a Jay Rosenblatt guitar
Maple bound Ebony fingerboard with Ebony and Maple Geometric Rosette on a Jay Rosenblatt guitar in process

I currently am preparing to exhibit my guitars at the Woodstock Luthiers Invitational Showcase in Woodstock, New York, on October 23rd., 24th., and 25th., 2015. I will have a table there exhibiting my instruments and will also have my guitars played in performance by Frank Sole and Henry Nerenberg. Two excellent musicians who will perform onstage at 4:00 pm., Saturday, October 24th, 2105.

Frank and Henry will be performing at The Woodstock Luthiers Invitational on Jay Rosenblatt Guitars
Frank Sole and Henry Nerenberg will be performing at The Woodstock Luthiers Invitational playing Jay Rosenblatt Guitars Saturday, October 25th., 2015 @ 4pm.

The Woodstock Luthiers Showcase is a feast for the eyes and ears and displays the works of over 60 talented luthiers, makers and instrument builders. Friday is the day to see the instruments and marvel at the guitars on display. Saturday and Sunday feature full day performances by the best pickers and musicians performing on the handmade instruments being exhibited. A must attend event if you love guitars and guitar music.

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My last blog post detailed construction of a Weissenborn Lap Steel guitar. This instrument has been completed and delivered to its new owner. Since that posting I submitted the photographs of it construction to Guitarmaker Magazine along with an article on how I built it. “Guitarmaker Magazine”is the publication of  A.S.I.A., The Association of Stringes Instrument Artisans. The publisher, Alton Acker, reproduced the images and article as the featured story. The magazine can be purchased through the A.S.I.A. web site where you can also sign up for a membership which includes 4 yearly publications and information about seminars and luthier events and other services they provide to the guitar builder and entheusiast.  http://asiartisans.org/content/.

Weissenborn Lap Steel Guitar handbuilt by Jay Rosenblatt

Weissenborn Guitar by Jay Rosenblatt featured in GuitarMaker Magazine.
Weissenborn Guitar by Jay Rosenblatt featured in GuitarMaker Magazine.

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Weissenborn guitar by Jay Rosenblatt building photographs
Weissenborn guitar by Jay Rosenblatt building photograph

 

The A.S.I.A symposium 2015 .

The Association of Stringed Instrument Artisans trade and lecture symposium, held bi-yearly was held this past June at East Stroudgberg University in East Stroudsberg, Pennsylvania. This years lectures by many top builders included topics on the business of the guitar business, repair techniques, building tips and tricks, jigs and fixtures, soundboard replacement, finishing techniques, voicing the instrument and historical presentations. The event also featured the vendor area where you can purchase woods and supplies. The evening held other lectures with social and musical gatherings. More info at http://asiartisans.org/content/

A previous post highlighted a Mahogany Venitian Cutaway guitar. on-the-guitar-building-workbench-2015.  Since that post that instrument has also been completed. The finish was a hand rubbed French polish. I used a medium-dark amber on the back, sides and neck and a light blonde on the soundboard. The finish produced a wonderful sheen on the African Mahogany back and spruce top and enhanced the organic feel and look of it. This instrument will be exhibited for purchase at The Woodstock Luthiers Invitational.

hand built mahogany venetian cutaway acoustic guitar with Sitka Soundboard by Jay Rosenblatt
Mahogany venetian cutaway acoustic guitar with Sitka Soundboard by Jay Rosenblatt

Recently of the bench and completed is this Rosewood and Sitka PF model. The photos below show it just after it came out of the finish shop. This guitar features a beautiful set of reddish brown rosewood matched to an Alaskan Sitka soundboard. The neck is laminated from 40 year old mahogany with a maple center strip. It has an ebony fretboard bound in maple with triangle position markers and my geometric rosette in ebony and maple.  The head plate is Cocobolo with a maple binding and the first guitar to have the Rosenblatt name inlaid into the headstock.  The guitar has had a shellac tone coat and a lacquer finish applied. This instrument will be featured at The Woodstock Showcase and is for sale. Please inquire!

The guitar that Jack Built.  This summer I had a young guitar student take a class with me to learn guitar building. He preformed all the steps necessary with my guidance and constructed a beautiful Mahogany and Sitka guitar. Having never used woodworking tools before he did quite well and had the dexterity of a future woodworker. The guitar featured a mahogany neck with rosewood fingerboard and a rosewood bridge. He also cut and installed a whale motif headstock inlay. The instrument was built over a month, two to three 5 hour classes per session. At this point the guitar is at the finisher getting a Notrocellulose finish. Should be a beauty that he will enjoy for many years to come.

Other projects around the shop include two sister Kasha style Classical guitars. Working with Frank Sole, musician and builder to construct these instruments, we have completed all the building forms and have crafted and carved the neck, heel and headstock . The soundboard bracing is in progress.  Ill update as it moves along.

A little experimentation. I have been playing with some experimental bracing patterns on a cutaway in the works. Inspired by the Arches in Utah I will assemble this in a manner where no two braces actually touch each other, yet pass through and over/under each other allowing more flexibility through the top. This will not be available currently on any model untill it is time tested and proves to be a worthy design. This is an experimental design.

Prototypical experimental bracing design by Jay Rosenblatt. All rights reserved!!
Experimental bracing design by Jay Rosenblatt. All rights reserved!!

Please look for my next post. I will be highlighting and describing the guitars I will exhibit and have for sale at The Woodstock Luthiers Invitational Showcase.

Thank you for reading.

Jay Rosenblatt

In the luthiers workshop, The Woodstock Luthiers Invitational and acoustic music.

Busy, Busy Busy, Thats all I can say. The past three months have been work in preparation for my exhibit table at the Woodstock Luthiers Showcase in Woodstock, New York. October 24th, 25th and 26th,. I will have several guitars on display there. All are ready for sale with custom fit Ameritage cases. One just back from finish in the final stages of set-up. (second from left in photo) Hope to have that ready at showtime. The guitars that will be for sale at Woodstock will include a quilted maple parlor, a OOO sized curly maple and lutz spruce guitar, a alaskan sitka topped jumbo with Rosewood back and sides,  an all Mahogany Tenor Ukulele and a Bearclaw and curly maple 00. (still under construction). Other items for sale will include LR Baggs pickups and pre-amps and Phil Jones Acoustic amplifiers.

Acoustic Guitars and Ukulele by Jay Rosenblatt luthier
Acoustic Guitars and Ukulele by Jay Rosenblatt luthier
Acoustic Guitars and Ukulele by Jay Rosenblatt luthier
Acoustic Guitars and Ukulele by Jay Rosenblatt luthier

About the guitars in the photo above, here are their ingredients. Maple Parlor Guitar. (far left in top photo) Hand built acoustic parlor guitar by luthier Jay Rosenblatt

  • AAAA Quilted Maple back and sides
  • AAA Lutz Spruce soundboard
  • Lutz spruce carved bracing
  • Rosewood bridge plate
  • Cedar kerfing
  • Spanish Cedar Neck with ebony head plate
  • Ebony fingerboard, 12 fret to body, 24.9 scale length
  • 1-3/4 nut width, 2-1/4 width at 12th fret
  • Cocobolo and Ebony geometric rosette
  • Ebony binding
  • Ebony wave design bridge
  • 18% nickel fret wire
  • MOP position markers
  • Abalone JR logo
  • 2 way truss rod
  • Ebony bridge pins with Abalone dots
  • Bone nut and compensated bone saddle
  • Hand toned amber glow with Nitro Cellulose lacquer exterior
  • Shellac finished interior
  • Schertler tuning machines
  • Ameritage custom case

Bearclaw Sitka with Maple back and sides OO. (Second From left in top photo)

Bearclaw Sitka top on Quilted maple body. Guitar by Jay Rosenblatt luthier
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Bearclaw Sitka top on Quilted maple body. Guitar by Jay Rosenblatt luthier
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Geometric Rosette in Ebony and maple fibre on a Jay Rosenblatt guitar
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Headstock detail on Bearclaw Sitka and maple guitar by Jay Rosenblatt
Reverse of Headstock on Maple guitar by Jay Rosenblatt
Reverse of Headstock on Maple guitar by Jay Rosenblatt
  • AAAA Curly Maple back and sides
  • AAA Bearclaw Sitka Spruce soundboard
  • Lutz spruce carved bracing
  • Maple  and mahogany 9 piece laminated neck
  • 2 way truss rod
  •  Geometric design ebony and maple  rosette
  • Ebony arc design bridge
  • Ebony Head-plate
  • Curly maple back plate on headstock, steam bent to match curve
  • Ebony binding with coral design purfling
  • Rosewood bridge plate, Cedar kerfing
  • Ebony fingerboard, 14 fret to the body, 25.4 scale
  • 1-11/16 nut width, 2-1/8 width at 12th fret
  •  Reversed abalone diamond pattern position markers
  • Nitrocellulose Lacquer finish exterior, Shellac finished interior
  • 18% nickel fret wire, bone nut and saddle
  • Abalone JR logo, Ebony bridge pins with Abalone dots
  • Bone nut and compensated bone saddle
  • Gotoh chrome Keystone style tuning machines
  • Ameritage custom case

Big Maple, (second from right in photo at top)

Maple and Lutz Spruce Acoustic Guitar by Jay Rosenblatt
Maple and Lutz Spruce Acoustic Guitar by Jay Rosenblatt
Maple and Lutz Spruce Acoustic Guitar by Jay Rosenblatt
Maple and Lutz Spruce Acoustic Guitar by Jay Rosenblatt
  • AAAA Curly Maple back and sides
  • AAA Lutz Spruce soundboard
  • Lutz spruce carved bracing
  • 40 year old Mahogany/ Maple 5 piece laminated neck
  • 2 way truss rod
  • Chippendale design headstock
  • Ebony and maple geometric rosette
  • Ebony wave design bridge
  • Ebony Head-plate
  • Ebony binding with chevron purfling
  • Rosewood bridge plate, Cedar kerfing
  • Ebony fingerboard, 14 fret to the body, 25.4 scale
  • 1-11/16 nut width, 2-1/8 width at 12th fret
  • MOP Maple Leaf position markers
  • Lacquer finish exterior, Shellac finished interior
  • 18% nickel fret wire, bone nut and saddle
  • Abalone JR logo, Ebony bridge pins with Abalone dots
  • Bone nut and compensated bone saddle
  • Sterling Silver Tuning Machines, (Martin)
  • Ameritage custom case

The Prima Fino Geo, 45 year old Alaskan Sitka and East Indian Rosewood. (far right in top photo)

45 year old sitka with Rosewood back and sides 00 guitar by Jay Rosenblatt
45 year old sitka with Rosewood back and sides 00 guitar by Jay Rosenblatt
45 year old sitka with Rosewood back and sides 00 guitar by Jay Rosenblatt
Prima Fina Geo EIR back view
Prima Fina Geo EIR back view on Jay Rosenblatt Guitar
  • AAAA East Indian Rosewood back and sides
  • 45 Year old Alaskan Sitka Spruce soundboard
  • Lutz spruce carved bracing
  • 40 year old Mahogany/ Maple 9 piece laminated neck
  • 2 way truss rod
  • Abalone B/W/B rosette
  • Ebony wave design bridge
  • Ebony Head-plate with Chippendale design headstock
  • Ivoroid binding with coral rope purfling
  • Rosewood bridge plate, Cedar kerfing
  • Ebony fingerboard, 14 fret to the body, 25.4 scale
  • 1-11/16 nut width, 2-1/8 width at 12th fret
  • MOP geometric pattern position markers
  • Lacquer finish exterior, Shellac finished interior
  • 18% nickel fret wire, bone nut and saddle
  • Abalone JR logo, Ebony bridge pins with Abalone dots
  • Fully compensated saddle
  • Gotoh 510 Tuning Machines
  • Ameritage custom case

The guitars above when purchased will all come with custom fit Ameritage Cases. These are beautiful and Durable!

Ameritage custom case for Jay Rosenblatt Guitars
Ameritage custom case for Jay Rosenblatt Guitars
Ameritage custom case for Jay Rosenblatt Guitars
Ameritage custom case for Jay Rosenblatt Guitars

 Currently on the workbench; In the works. I am currently working on a Mahogany and Sitka venetian cutaway acoustic model. This guitar features Honduran Mahogany back and sides matched to a light curly sitka soundboard. A maple and mahogany geometric rosette adorns the sound hole , curly maple binding with Rope purling and B/W fibre pull it all together. The back bracing is of mahogany with a hybrid X/ladder pattern. The soundboard bracing is forward-X pattern, scalloped and hand tuned sitka. Neck block and tail block of aged mahogany. The neck will be a 9 layer lamination with 40 year old Mahogany and maple strips.

Mahogany and Sitka Acoustic cutaway by Jay Rosenblatt
Mahogany and Sitka Acoustic cutaway by Jay Rosenblatt
Bracing pattern on Mahogany and sitka top
Bracing pattern on Mahogany and sitka top by Jay Rosenblatt
Hybrid mahogany  X/ladder bracing design on Jay Rosenblatt Guitar
Hybrid mahogany X/ladder bracing design on Jay Rosenblatt Guitar
Assembling body on Mahogany cutaway by Jay Rosenblatt
Assembling body on Mahogany cutaway by Jay Rosenblatt
Roping curly maple binding in place on a Mahogany venetian cutaway acoustic guitar
Roping curly maple binding in place on a Mahogany venetian cutaway acoustic guitar
Binding detail on Cutaway by Jay Rosenblatt
Binding detail on Cutaway by Jay Rosenblatt
Binding detail on Cutaway by Jay Rosenblatt
Binding detail on Cutaway by Jay Rosenblatt
Mahogany Cutaway guitar ready for neck by Jay Rosenblatt luthier
Mahogany Cutaway guitar ready for neck by Jay Rosenblatt luthier

 Guitar Building class and Instruction. In the next few months I will be setting up a shop where I can teach guitar building and construction. Group classes of two people per class or individual instruction will be offered. Topics covered from bending sides to carving braces, fretwork to final assembly will be taught in the classes. You can build a guitar too! More information will follow. Jay Rosenblatt Speaking at CJWA_2   Getting out to play a bit enjoying the fruits of my labor playing my hand built guitars with some friends at Hat City Kitchen’s All Acoustic Open Mic, Orange, NJ

Enjoying the fruit of my labors at Hat City Kitchen's All Acoustic Open Mic, Orange, NJ
Enjoying the fruits of my labor playing my hand built guitars with some friends at Hat City Kitchen’s All Acoustic Open Mic, Orange, NJ

Below are some links to the fine vendors who have provided parts, woods, jigs, cases or finishing.

In conclusion; I hope you can make it up to Woodstock to see these instruments first hand. If you are a player, picker, professional musician or just like to have fun and enjoy music, please come up to Woodstock, New York next week. It will be a great day of music, musicians, and guitars, built by hand and being displayed by their builders. For moder details go to http://www.woodstockinvitational.com

Woodstock Luthiers Showcase October 25th and 26th., 2014
Woodstock Luthiers Showcase October 25th and 26th., 2014

Thanks for reading this blog. Have a great day!

The Woodstock Invitational Luthiers Showcase 2014

Once again this year I will be exhibiting my guitars at the  The Woodstock Invitational Luthiers Showcase 2014.

This event will showcase hand built acoustic guitars and acoustic stringed instruments by their builders.

It will take place in Woodstock, New York, October 24th., 25th., and 26th., 2014. Information can be found at http://www.woodstockinvitational.com.

The weekend is highlighted by musicians performing on the hand built instruments throughout the days.

If you love guitars, fine woodworking and great music this is the place to see and be. Hope to see you there.

Look for me in the Vendor Hall next to the main building. I will also have LR Baggs pickups and pre-amps for sale along with Phil Jones Pure Sound Acoustic amps.

 

 

 

Hand built acoustic parlor guitar by luthier Jay Rosenblatt

 

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On the luthiers workbench; Large body maple guitar with maple leaf inlays, Parlor guitar with red spruce soundboard

 

Recently completed; I recently received one of my guitars from my finisher. This instrument came out beautifully. This large bodied guitar, 17 inched across the lower bout, features ;

AAAA Lutz spruce top with Black and white geometric rosette, Back and side are of AAAA Quilted maple. The neck is a 5 piece laminate of 40 year old mahogany with a double maple center strips, an ebony fingerboard with hand cut white gold MOP maple leafs motif, the head plate of ebony with a gold white MOP, JR logo, fingerboard is bound with ebony and a strip of maple, bridge of ebony, the body bound with ebony and b/w purfling and trim. Assembly  of major body components are constructed with hide glue.

Maple and Lutz Spruce Large Body Maple Motif Acoustic Guitar by Luthier Jay Rosenblatt
Maple and Lutz Spruce Large Body Maple Motif Acoustic Guitar by Luthier Jay Rosenblatt
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Ebony Binding with Chevron purling on AAAA maple body
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Heel Detail; 5 piece, from 30 year old mahogany laminated with maple strips neck. Ebony heel cap
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Jay Rosenblatt Headstock with JR LOGO. Ebony Heabplate, sterling silver tuning machines
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Lutz Spruce soundboard with hand assembled geometric rosette and ebony Bridge

 

 

 

 

I recently completed the build of a Walnut parlor guitar. This is currently at the finishing shop getting a nitrocellulose finish.

This steel string acoustic features 50 year old american walnut back and sides, red spruce top, 12 fret to the body 24.9 inch scale length ebony fingerboard on a mahogany neck with slotted headstock, classical tuners with butter bean knobs. Traditional Russian handmade classical rosette, rosewood head plate with abalone JR logo, rosewood bridge, bone nut and saddle. This instrument will be ready for sale by June 2014

 

 

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Frets being installed on the Walnut andRed spruce parlor 000 guitar
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The guitar ready for disassembly and lacquering
You can see the beautiful red tint in this red spruce tone wood
Parlor Guitar of Americam=n walnut, red spruce soundboard, mahogany neck, slotted headstock by Jay Rosenblatt
Parlor Guitar of Americamn walnut, red spruce soundboard, mahogany neck, slotted headstock by Jay Rosenblatt

 

 

On guitar building, a productive year

Looking back at 2013, it has been a very productive year in the guitar workshop and other areas of my luthier business.

Brace shavings
Brace shavings

Most recently I completed the closing of a new guitar body. This one is constructed of East Indian Rosewood. The soundboard is from a 40 year old Alaskan Sitka Float Log  felled in the 70’s that I purchased from Alaska Specialty Woods in 2010. It has been on my shelf seasoning. The Braces are Sitka from the same supplier. This instrument will be less ornate than my previous builds without to much pearl or embellishments keeping my focus on the sound of this instrument.

Top, back and sides ready to be assembled in this East Indian Rosewood Guitar by Jay Rosenblatt
Top, back and sides ready to be assembled in this East Indian Rosewood guitar by Jay Rosenblatt. © Jay Rosenblatt Photo

The bridge-plate is Rosewood that matches the sides. The center strip is also cut from the remains of the back. The x brace has an ebony inlay into the joint for added stiffness at the center.

Ebony Inlay at "X" for added strenght and stiffness
Ebony Inlay at “X” for added strenght and stiffness. © Jay Rosenblatt Photo
Sitka Spruce Top being attached to body. Abalone rosette installed.
Sitka Spruce Top being attached to body. Abalone rosette installed. © Jay Rosenblatt Photo

This newer body style is smaller and a little more rounded than my large body instruments.  It sits comfortably in the lap and has enough body depth to provide a good bass  response.

Finished body ready for binding. © Jay Rosenblatt Photo
Finished body ready for binding. © Jay Rosenblatt Photo

In progress right now is another parlor guitar. This instrument is about 2/3 through the process.

This instrument is constructed of 50 year old American Walnut back and sides.  I received an 8 foot by 12″ x 5/4 board as a gift from a friend. There were long checking about a foot into each end of the board. After resawing the boards I was able to salvage 4 sets of backs and sides.

50 year old American Walnut used on this parlor guitar by Jay Rosenblatt. © Jay Rosenblatt Photo
50 year old American Walnut used on this parlor guitar by Jay Rosenblatt. © Jay Rosenblatt Photo

The wood was not quarter sawn but being such an old age is  very stable and went together beautifully.  The top of this guitar is Red Spruce that I acquired from Carl Barney. The rosette is a classical style, handmade rosette, of wood fiber and very beautiful from LMI. Currently the body is complete, the neck is done a temporarily installed. It needs the nut, bridge, saddle tuner and strings and an initial set up.

Walnut Parlor JR Guitar, Jay Rosenblatt luthier
Walnut Parlor JR Guitar, Jay Rosenblatt luthier
Walnut Parlor Guitar in progress. guitar by Jay Rosenblatt. © Jay Rosenblatt Photo
Walnut Parlor Guitar in progress. guitar by Jay Rosenblatt. © Jay Rosenblatt Photo
Walnut Parlor Guitar, Classical rosette detail. © Jay Rosenblatt Photo
Walnut Parlor Guitar, Classical rosette detail. © Jay Rosenblatt Photo

Another instrument almost near completion is this quilted maple large bodied guitar.

Maple guitar under construction. © Jay Rosenblatt
Maple guitar under construction. © Jay Rosenblatt

This one has a Lutz spruce top, ebony geometric rosette, ebony bindings, ebony fingerboard with maple strip inlay, hand cut mother-of-pearl maple leaf position markers, Chippendale headstock design and an ebony bridge.

Detail of Ebony fingerboard with Maple inlay strip and Ebony and maple geometric rosette. © Jay Rosenblatt
Detail of Ebony fingerboard with Maple inlay strip and Ebony and maple geometric rosette. © Jay Rosenblatt
5 Piece mahogany laminated neck with maple and mahogany strips. © Jay Rosenblatt
5 Piece mahogany laminated neck with maple and mahogany strips. © Jay Rosenblatt

These photos show it in a test assembly for preliminary setup and is now being spray finished by my good friend and luthier, Tony DiDomenico. This  should be completed early 2014.

Maple big body in test mode waiting to go to finish. © Jay Rosenblatt
Maple big body in test mode waiting to go to finish. © Jay Rosenblatt
Maple leaf fingerboard top detail
Maple big body guitar fingerboard detail with Maple leaf motif
Maple Leaf Guitar waiting for final buffing. Photo by finisher and luthier Tony DiDomenico. © Jay Rosenblatt
Maple Leaf Guitar waiting for final buffing. Photo by finisher and luthier Tony DiDomenico. © Jay Rosenblatt
Maple leaf Guitar waiting for final buffing. Photo by finisher and Luthier Tony DiDomenico. © Jay Rosenblatt
Maple leaf Guitar waiting for final buffing. Photo by finisher and Luthier Tony DiDomenico. © Jay Rosenblatt
Maple leaf Guitar waiting for final buffing. Photo by finisher and Luthier Tony DiDomenico. © Jay Rosenblatt
Maple leaf Guitar waiting for final buffing. Photo by finisher and Luthier Tony DiDomenico. © Jay Rosenblatt

Earlier this year I finished this beautiful Quilted Maple parlor guitar.

Amber Quilted Maple Parlor Guitar by Jay Rosenblatt. © Jay Rosenblatt
Amber Quilted Maple Parlor Guitar by Jay Rosenblatt. © Jay Rosenblatt

This has a Lutz spruce top, AAAA Quilted Maple back and sides, hand carved mahogany neck with slotted headstock and Schertler tuners, hand made geometric rosette, hand toned back and sides with a golden amber stain. Ebony fingerboard, bridge and headstock, domino dot position markers, Ebony end-graft and ebony bindings .

Quilted Maple Parlor Guitar with hand toned amber stain and Nitro Cellulose lacquer. © Jay Rosenblatt
Quilted Maple Parlor Guitar with hand toned amber stain and Nitro Cellulose lacquer. © Jay Rosenblatt

You can see a full gallery of photos of this beauty here,   http://jayrosenblatt.smugmug.com/Handbuiltguitars/Quilted-Maple-Guitar

I have other guitars and projects in the works. This year was also a good year for my repair business. There have been many repairs I have made to keep guitars playable for other musicians. Add to that the addition of the LR Baggs line of pickups and installations and having the Phil Jones line of amps available for sale and I think 2014 will continue to show growth in guitar building and repairs as well.

Showing my instruments and selling LR Baggs Pickups and Phil Jones Amps at the Woodstock Invitational Luthiers Showcase in Woodstock, NY this past October, 2013.
Showing my instruments and selling LR Baggs Pickups and Phil Jones Amps at the Woodstock Invitational Luthiers Showcase in Woodstock, NY this past October, 2013.

I want to thank you for reading my blog and I hope you enjoy these posts.

Wishing you all a Happy New year, a great year for playing, music and song.

All my best to you for peace, health and prosperity.

Sincerely,

Jay Rosenblatt.

Woodstock Luthiers Invitational 2013

On October 25th, 26th and 27, 2013 the Woodstock Invitational Luthiers Showcase will take place in Woodstock, New York.

This is an event where the finest in hand-built acoustic guitars and acoustic stringed instruments displayed by their builders and daily performances by many talented musicians come together.   http://woodstockinvitational.com/about2013.html

Woodstock image

I will have LR Baggs Pickups for sale at my table including the M1-A, The Lyric, The Anthem, Anthem SL,  I-Beam and I will also have the Gigpro, Para DI and Venue DI pre-amps for sale. If you need a great acoustic pickup or pre-amp I recommend LR Baggs. You can find me and my exhibit in the Vendors Annex.

LR Baggs AD

I will also have some of my guitars on display to play and to check out the pickups and amps.

Cocobolo and redwood guitar featuring Redwood soundboard, cocobolo back and sides, geometric Rosette of Ebony and Cocobolo with black and red fiber detail, ebony bridge , fingerboard and headplate with coral purfling and ebony binding. gold MOP and abalone pearl vine inlay © Hand built by Jay Rosenblatt
Cocobolo and redwood guitar Hand built by Jay Rosenblatt
Maple Parlor Guitar with ebony appointments hand built by Jay Rosenblatt
Maple Parlor Guitar with ebony appointments hand built by Jay Rosenblatt

Pictured here are some of the LR Baggs products I will have on sale.

LR Baggs Lyric bridgeplate microphone acoustic Pickup
LR Baggs Lyric bridge plate microphone acoustic Pickup
LR Baggs Venue DI Pre Amp
LR Baggs Venue DI Pre Amp
LR Baggs M1-A Active body sensitive acoustic pick-up
LR Baggs M1-A Active body sensitive acoustic pick-up

Find out more about the LR Baggs product line here   http://www.lrbaggs.com/

In my opinion LR Baggs makes the best acoustic pickups and Phil Jones make the most natural sounding amps for Guitars, Basses, and Violins. combine these two together and you have the best acoustic sound available from your instruments.

I recently became a distributor of Phil Jones Pure Sound Amps . I will have the CUB II AG 150 on display at my table and there will also be one in the main building amp room for testing and listening. You can order them from me at the show or by email or telephone. Please look for my information on my “About Page” on this blog.

Pictured here is the Phil Jones CUB AG-150 two channel amp. This is a sweetie of an amp, 100 watts in a very portable package weighing only 15 LBS. 6.8kg. Perfect for the musician that needs portability,  great tone and the ability to plug a guitar and mic in when playing small clubs and gigs. It comes with a padded gig bag and an optional stand  is available.

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Find out more about Phil Jones Products here,  http://www.philjonespuresound.com.

Last year at the Woodstock Invitational I made good friends with many of the other builders and also the vendors who will be providing tone woods and parts for the luthier. I got to personally meet John Sebastian who delighted me by playing one of my guitars. I  listened to some great performances and was totaly inspired by the great and talented luthiers who participated in the event. Here are some of last years photos.

John Sebastian Playing my Maple Parlor Guitar. Photo © Jay Rosenblatt
John Sebastian Playing my Maple Parlor Guitar. Photo © Jay Rosenblatt
Irvin Somogyi with one of his guitars. Photo © Jay Rosenblatt.
Irvin Somogyi with one of his guitars. Photo © Jay Rosenblatt.
Kinloch nelson performing at the Woodstock Luthiers Invitational.  Photo © JAy Rosenblatt
Kinloch Nelson performing at the Woodstock Luthiers Invitational. Photo © JAy Rosenblatt

The Luthiers Invitational Woodstock NY

Baker Rorick, (right) creator of the Woodstock Luthiers Invitational and Jay Rosenblatt.
Baker Rorick, (right) creator of the Woodstock Luthiers Invitational and Jay Rosenblatt.

I hope you can make it to this wonderful event. Please stop by and meet me in the Vendors Annex. Happy playing. Enjoy!

Jay Rosenblatt, Luthier.

Bending purfling on a light bulb
Jay Rosenblatt, Luthier. Bending purfling on a light bulb