Last night I had the pleasure to present photographs on my guitar building processes to a group at the NJWA, North Jersey Woodworking Association. I also had Frank Sole, musician, teacher and builder of guitars who performed several pieces, classical, jazz and contemporary for the group.
The NJWA has monthly meetings with demonstrations in a variety of woodworking topics by various presenters. They also have a monthly raffle and share information on woodworking methods, tips, tools, and finishing.
There were about 40 people who attended. One or two who have built a guitar so this was fairly new information for those who have never built an instrument. My presentation was fast paced covering many aspects of the building process and passing around lots of parts and pieces so the folks can get a good sense of guitar construction.
In all the meeting lasted 2.5 hours and I showed about 330 images of the building process. From what I gathered they enjoyed my presentation very much and it was an enjoyable experience for me as well.
If you have an organization or group that would like me to present on this topic please contact me.
This instrument is a 17 Inch acoustic semi-archtop guitar, 25.5 inch scale length. Named Apollo, this guitar features a fine Sitka soundboard, Curly Claro Walnut body, mahogany neck with an african blackwood fingerboard and head plate with a Gabon Ebony bridge, tailpiece and pick guard. (not shown, these photos were taken during construction phases). The tailpiece uses pins to hold the string ends similar to the Doolin/ Elliot pinless bridges.
The neck has a two-way adjustable truss rod which is accessible by lifting the cover held in place magnetically. The neck is stiffened with carbon fiber bars. The back of the head plate is a curly maple burl veneer. The bracing for the soundboard is an “A frame” design with a cross bar support. The bridge is a fixed height design. The back bracing is a floating system similar to the design of the Kasha classical guitars. The binding is Rosewood with curly maple purfling. The finish is hand applied French polish. The final version will have an ebony pick guard to match the tailpiece and head plate.
I have just completed putting together my presentation which includes over 200 photographs and guitar building sequences for my class this Saturday morning at The ASIA Symposium, (The Association of Stringed Instrument Artisans).
The Symposium will commence on Wednesday at The Stroudsberg University in East Stroudsberg, PA, and runs through Sunday with classes Thursday through Saturday.
There will be over 35 builders sharing their knowledge, skills and talents with the attendees plus lectures and informational discussions. I am thrilled to be included as a presenter. There will also be vendors selling woods and materials.
My presentation on Saturday Morning titled “The Basics and Beyond” will highlight many topics on building and show several processes using hand tools and small power tools.
You can still register for this event by going to http://asiartisans.org. Anyone who either has a desire to build or learn repair will benefit from this event.
The ASIA Symposiumt and organization are open to the public to join and to attend. The symposium will cover topics on guitar and stringed instrument building, maintenance, repair, inlay, marquetry, finishing, restoration and creation of acoustic instruments. My presentation will be on the basic tools and forms needed to build acoustic guitars and what they do, Saturday Morning, 6/10 from 9:00 to 10:30AM
A host of great presenters and some of the masters or lutherie will be there sharing their knoweledge including; Linda Manzer (Linda Manzer Guitars), John Monteleone (Monteleone Guitars), Dan Erliwine (Stu-Mac), John Hall (Blues Creek), David Nichols (Custom Pearl Inlay), Michael Gurian (Gurian Guitars), Chris Herrod, (Luthiers Mercantile), Matt Laravee and More. A full schedule of classes and presenters can be found on their website http://asiartisans.org/content/.
This weekend is the Artisan Guitar Show in Harrisburg, Pennsylvania, at the Central Hotel and Conference Center.
This will be a gathering of luthiers, guitar and instrument builders, musicians, lecturers, pickers and players. The best of the best will be there exhibiting their instruments.
I am pleased to have been invited to exhibit at this event.
At the top of this page you will find some links to some of the instruments I will be showing this weekend. I will have other instruments not featured on this page. Click on the links above to read more detail about the guitars featured this weekend.
In May, 12, 13 & 14,, The LaConner Guitar Festival will take place in La Conner, Washington. I am looking forward to that as well and will be exhibiting there.
Thanks for reading.
Please scroll to may past posts to see more work and read more about the my instruments. I hope you can make the show. If you do please stop by my table. Thanks!!
On October 21, 22, and 23, 2016, The “Woodstock Invitational Luthiers Showcase” will commence again in Woodstock, New York. The dates are October 21, 22, and 23, 2016. The event is held at The Bearsville Theater and Utopia Sounstage on Tinker Street.
This will be a three day exhibition of hand-built acoustic guitars and instruments exhibited by by their makers.
This show is always an amazing opportunity to see, hear and play some of the finest instruments on this planet. The show has exhibitors from around the globe. Daily and half hourly performances by some of the finest musicians playing these hand made instruments happen on the main stage. There are lectures workshops and demonstrations. I suggest that you make this a go-to event if you love guitars and can make the trip. Find out more at The Woodstock Invitational Website Page http://www.woodstockinvitational.com.
I am excited to be exhibiting there and am pleased to be included as an exhibitor with all the other fine builders. This year I will be in the main room rubbing shoulders and hob knobbing with other masters of this craft who’s work I admire greatly.
The instruments below have been built over the past year and will be on display; A Kasha Classical, an experimental guitar design of mine I call “The Arches”, A 7-string Baroque transitional guitar built to the exact measurements of a the original created over 200 years ago, and my PF model in Quilted maple with a Moonwood soundboard and Mahogany neck.
I hope to see you in Woodstock. This will be an excellent to own a Jay Rosenblatt Original guitar if that is your fancy. Please stop in to say hello.