On October 21, 22, and 23, 2016, The “Woodstock Invitational Luthiers Showcase” will commence again in Woodstock, New York. The dates are October 21, 22, and 23, 2016. The event is held at The Bearsville Theater and Utopia Sounstage on Tinker Street.
This will be a three day exhibition of hand-built acoustic guitars and instruments exhibited by by their makers.
This show is always an amazing opportunity to see, hear and play some of the finest instruments on this planet. The show has exhibitors from around the globe. Daily and half hourly performances by some of the finest musicians playing these hand made instruments happen on the main stage. There are lectures workshops and demonstrations. I suggest that you make this a go-to event if you love guitars and can make the trip. Find out more at The Woodstock Invitational Website Page http://www.woodstockinvitational.com.
I am excited to be exhibiting there and am pleased to be included as an exhibitor with all the other fine builders. This year I will be in the main room rubbing shoulders and hob knobbing with other masters of this craft who’s work I admire greatly.
The instruments below have been built over the past year and will be on display; A Kasha Classical, an experimental guitar design of mine I call “The Arches”, A 7-string Baroque transitional guitar built to the exact measurements of a the original created over 200 years ago, and my PF model in Quilted maple with a Moonwood soundboard and Mahogany neck.
I hope to see you in Woodstock. This will be an excellent to own a Jay Rosenblatt Original guitar if that is your fancy. Please stop in to say hello.
Busy, Busy Busy, Thats all I can say. The past three months have been work in preparation for my exhibit table at the Woodstock Luthiers Showcase in Woodstock, New York. October 24th, 25th and 26th,. I will have several guitars on display there. All are ready for sale with custom fit Ameritage cases. One just back from finish in the final stages of set-up. (second from left in photo) Hope to have that ready at showtime. The guitars that will be for sale at Woodstock will include a quilted maple parlor, a OOO sized curly maple and lutz spruce guitar, a alaskan sitka topped jumbo with Rosewood back and sides, an all Mahogany Tenor Ukulele and a Bearclaw and curly maple 00. (still under construction). Other items for sale will include LR Baggs pickups and pre-amps and Phil Jones Acoustic amplifiers.
About the guitars in the photo above, here are their ingredients.Maple Parlor Guitar. (far left in top photo)
AAAA Quilted Maple back and sides
AAA Lutz Spruce soundboard
Lutz spruce carved bracing
Rosewood bridge plate
Spanish Cedar Neck with ebony head plate
Ebony fingerboard, 12 fret to body, 24.9 scale length
1-3/4 nut width, 2-1/4 width at 12th fret
Cocobolo and Ebony geometric rosette
Ebony wave design bridge
18% nickel fret wire
MOP position markers
Abalone JR logo
2 way truss rod
Ebony bridge pins with Abalone dots
Bone nut and compensated bone saddle
Hand toned amber glow with Nitro Cellulose lacquer exterior
Shellac finished interior
Schertler tuning machines
Ameritage custom case
Bearclaw Sitka with Maple back and sides OO. (Second From left in top photo)
AAAA Curly Maple back and sides
AAA Bearclaw Sitka Spruce soundboard
Lutz spruce carved bracing
Maple and mahogany 9 piece laminated neck
2 way truss rod
Geometric design ebony and maple rosette
Ebony arc design bridge
Curly maple back plate on headstock, steam bent to match curve
Ebony binding with coral design purfling
Rosewood bridge plate, Cedar kerfing
Ebony fingerboard, 14 fret to the body, 25.4 scale
Abalone JR logo, Ebony bridge pins with Abalone dots
Fully compensated saddle
Gotoh 510 Tuning Machines
Ameritage custom case
The guitars above when purchased will all come with custom fit Ameritage Cases. These are beautiful and Durable!
Currently on the workbench; In the works. I am currently working on a Mahogany and Sitka venetian cutaway acoustic model. This guitar features Honduran Mahogany back and sides matched to a light curly sitka soundboard. A maple and mahogany geometric rosette adorns the sound hole , curly maple binding with Rope purling and B/W fibre pull it all together. The back bracing is of mahogany with a hybrid X/ladder pattern. The soundboard bracing is forward-X pattern, scalloped and hand tuned sitka. Neck block and tail block of aged mahogany. The neck will be a 9 layer lamination with 40 year old Mahogany and maple strips.
Guitar Building class and Instruction. In the next few months I will be setting up a shop where I can teach guitar building and construction. Group classes of two people per class or individual instruction will be offered. Topics covered from bending sides to carving braces, fretwork to final assembly will be taught in the classes. You can build a guitar too! More information will follow. Getting out to play a bit enjoying the fruits of my labor playing my hand built guitars with some friends at Hat City Kitchen’s All Acoustic Open Mic, Orange, NJ
Below are some links to the fine vendors who have provided parts, woods, jigs, cases or finishing.
In conclusion; I hope you can make it up to Woodstock to see these instruments first hand. If you are a player, picker, professional musician or just like to have fun and enjoy music, please come up to Woodstock, New York next week. It will be a great day of music, musicians, and guitars, built by hand and being displayed by their builders. For moder details go to http://www.woodstockinvitational.com
Recently completed; I recently received one of my guitars from my finisher. This instrument came out beautifully. This large bodied guitar, 17 inched across the lower bout, features ;
AAAA Lutz spruce top with Black and white geometric rosette, Back and side are of AAAA Quilted maple. The neck is a 5 piece laminate of 40 year old mahogany with a double maple center strips, an ebony fingerboard with hand cut white gold MOP maple leafs motif, the head plate of ebony with a gold white MOP, JR logo, fingerboard is bound with ebony and a strip of maple, bridge of ebony, the body bound with ebony and b/w purfling and trim. Assembly of major body components are constructed with hide glue.
I recently completed the build of a Walnut parlor guitar. This is currently at the finishing shop getting a nitrocellulose finish.
This steel string acoustic features 50 year old american walnut back and sides, red spruce top, 12 fret to the body 24.9 inch scale length ebony fingerboard on a mahogany neck with slotted headstock, classical tuners with butter bean knobs. Traditional Russian handmade classical rosette, rosewood head plate with abalone JR logo, rosewood bridge, bone nut and saddle. This instrument will be ready for sale by June 2014
Looking back at 2013, it has been a very productive year in the guitar workshop and other areas of my luthier business.
Most recently I completed the closing of a new guitar body. This one is constructed of East Indian Rosewood. The soundboard is from a 40 year old Alaskan Sitka Float Log felled in the 70’s that I purchased from Alaska Specialty Woods in 2010. It has been on my shelf seasoning. The Braces are Sitka from the same supplier. This instrument will be less ornate than my previous builds without to much pearl or embellishments keeping my focus on the sound of this instrument.
The bridge-plate is Rosewood that matches the sides. The center strip is also cut from the remains of the back. The x brace has an ebony inlay into the joint for added stiffness at the center.
This newer body style is smaller and a little more rounded than my large body instruments. It sits comfortably in the lap and has enough body depth to provide a good bass response.
In progress right now is another parlor guitar. This instrument is about 2/3 through the process.
This instrument is constructed of 50 year old American Walnut back and sides. I received an 8 foot by 12″ x 5/4 board as a gift from a friend. There were long checking about a foot into each end of the board. After resawing the boards I was able to salvage 4 sets of backs and sides.
The wood was not quarter sawn but being such an old age is very stable and went together beautifully. The top of this guitar is Red Spruce that I acquired from Carl Barney. The rosette is a classical style, handmade rosette, of wood fiber and very beautiful from LMI. Currently the body is complete, the neck is done a temporarily installed. It needs the nut, bridge, saddle tuner and strings and an initial set up.
Another instrument almost near completion is this quilted maple large bodied guitar.
This one has a Lutz spruce top, ebony geometric rosette, ebony bindings, ebony fingerboard with maple strip inlay, hand cut mother-of-pearl maple leaf position markers, Chippendale headstock design and an ebony bridge.
These photos show it in a test assembly for preliminary setup and is now being spray finished by my good friend and luthier, Tony DiDomenico. This should be completed early 2014.
Earlier this year I finished this beautiful Quilted Maple parlor guitar.
This has a Lutz spruce top, AAAA Quilted Maple back and sides, hand carved mahogany neck with slotted headstock and Schertler tuners, hand made geometric rosette, hand toned back and sides with a golden amber stain. Ebony fingerboard, bridge and headstock, domino dot position markers, Ebony end-graft and ebony bindings .
I have other guitars and projects in the works. This year was also a good year for my repair business. There have been many repairs I have made to keep guitars playable for other musicians. Add to that the addition of the LR Baggs line of pickups and installations and having the Phil Jones line of amps available for sale and I think 2014 will continue to show growth in guitar building and repairs as well.
I want to thank you for reading my blog and I hope you enjoy these posts.
Wishing you all a Happy New year, a great year for playing, music and song.
All my best to you for peace, health and prosperity.